How To Make Anime Models In Blender

Model an Anime-style Infinite Cadet in Blender

Introduction

In this tutorial, I will prove the process of making the "Space Buck" 3D Illustration. The main focus is to create a cartoon character with realistic materials. Outset I volition cover modeling and sculpting techniques using Blender ii.82, so texture it with Substance Painter, going back to render the project in Blender, and finally post-produce it with Photoshop.

topology uv final render modeling 3d

Mix of Topology, UVs and Final Return

Concept of the image

This image is based on a concept by the French artist Guillaume Singelin, who is a comic book artist and illustrator. Heavily Influenced by Toriyama and Otomo, and focused on making cartoon characters. This image portrays a space cadet.

concept art rendering modeling 3d

Concept art vs Render

Modeling Loop process

I always use the same method for modeling. Outset making a basic block out of the shapes until my eyes go tired of the image, and then I brand a render and draw over it what is missing. That helps me out thinking about what I need to focus on next. I do this over and over until I tin can no longer discover details to add or change.

process topology modeling rendering 3d

Process and Topology

UVs and Texel Density

Marker all the seams and and so Unwrap them to brand the UVs of all the meshes, then apply the aforementioned texel density to all of them to have the same texture resolution – I used 40.96 px/cm. Finally, join a maximum of meshes per tileset. This projection took a full of 9 4K tilesets.

uv's basics uv's texel density modeling render

UVs Basic vs UVs Texel density correct

Reference board

I make a lath to assemble my references, carve up the board by meshes and start looking for objects that accept the textures I want to achieve in each one. In this project, the essential references were the spacesuit, the hands, and the freckles. That's why I have a lot more images of them.

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Reference board

Importing and baking

When Importing the mesh, exist certain to employ the PBR – Metal Roughness template and OpenGL at the Normal Map Format. After that I start baking the first Tileset, considering the size of the textures is in 4K, that'south the measure I use in Output Size at the Baking. In the ID Map Change the Color Source to Vertex Color. With that, y'all will mask easily.

importing baking 3d model vertex colour

Import and Bake Vertex Color

Emissive material

Start I make a 4K Image that I will use equally alpha in the screen monitor, so add the Emissive channel inside Substance Painter. I employ this alpha as a base of operations, but I volition be adding multiple layers over it. Starting time, an Ambient Occlusion to make the center expect brighter than the corners, and so a scanline effect to give an oldish feeling. Finally, the intense part of the emissive volition be colored in yellow, and the darker ane will be orangish.

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Adding layers to requite more detail

Blender Cycles Export Preset

I made a preset for Blender, having the Albedo, Metalness, Roughness, and Normal Map using OpenGL and adding Ambient Occlusion, Emissive, Opacity, Scattering and Thickness. Substance Painter volition omit the maps you have non used. It is crucial to use OpenGL for Normal Maps to have a correct height management.

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Blender Cycles Export Preset

Multiple lighting sets

I utilize temperature to the lights using the Blackbody Node and create diverse sets of lighting playing differently with heat and common cold, and save all of them in a collection. Then I brand an prototype with all the options together. That helps me make up one's mind which i describes all-time the emotion I'chiliad looking to accomplish.

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All Lighting sets

Rendering

The easiest style to apply the Texture Maps of Substance Painter inside Blender is with the PrincipledBSDF node. For this project was used 2500 samples to remove skin noise without denoise, the option Use Hair checked, and because the scene takes 5GB to render Information technology was possible to use just the GPU, giving me a faster return than CPU.

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Global Configuration

Post-production

In the post-production stage, I endeavour to highlight the relevant areas of the projection, using Photographic camera RAW inside Photoshop. Enhancing the lights, shadows, and increasing the sharpness of the image, also testing multiple color-gradings to observe the right one. Finally, I focus on the importance of the motion-picture show past concealment some areas with the alloy mode multiply and illuminating others with the blend mode screen.

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Before and after

Elevation tip ane - Employ PBR Textures Fast

To quickly apply the textures fabricated in Substance Painter within Blender, use the Node Wrangler Addon Shortcut Command+Shift+T and select all the maps.

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Motorcar PBR Node Wrangler

Top tip ii - Use the same Texture Resolution

To accomplish the aforementioned texture resolution in all objects, you need to have the same Texel Density, and you can get that with the Gratis Texel Density Checker Improver.

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Aforementioned Texel Density to all UV Islands

Source: https://3dtotal.com/tutorials/t/model-an-anime-style-space-cadet-in-blender

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